{"id":2356,"date":"2012-12-31T19:42:51","date_gmt":"2012-12-31T23:42:51","guid":{"rendered":"http:\/\/www.rockwellblake.com\/blog\/?p=2356"},"modified":"2014-11-27T18:44:19","modified_gmt":"2014-11-27T22:44:19","slug":"belting","status":"publish","type":"post","link":"https:\/\/rockwellblake.com\/blog\/2012\/12\/31\/belting\/","title":{"rendered":"Belting"},"content":{"rendered":"<p><strong>When I mentioned \u201c<a title=\"Belting\" href=\"https:\/\/rockwellblake.com\/blog\/what-is-it-about\/glossary\/belting\/\" target=\"_blank\">Belting<\/a>\u201d in my blog, <a title=\"What\u2019s the Buzz?\" href=\"https:\/\/rockwellblake.com\/blog\/2012\/11\/02\/whats-the-buzz\/\" target=\"_blank\">\u201cWhat\u2019s the Buzz?\u201d, <\/a>I left the reference hanging there without explanation. With the hope that somebody might want to know what I think that word means, I began putting this blog together. The <a href=\"http:\/\/books.google.com\/books?id=o6PYNM7RNwkC&amp;pg=PA399#v=onepage&amp;q&amp;f=false\" target=\"_blank\">scientific article<\/a> that Garcia wrote and Debbie, my wife, found just keeps on making me happy. I introduced this text in <a title=\"Royal Registers\" href=\"https:\/\/rockwellblake.com\/blog\/2012\/03\/31\/royal-registers\/\" target=\"_blank\">\u201cRoyal Registers\u201d<\/a>\u00a0and it is the confirmation of my long held opinion.<\/strong><\/p>\n<p><strong>There are so many ways to hide stuff in plain sight. People have been creating new\u00a0\u201cvocal technique\u201d since singing was deemed important by just putting a few choice words together. But what about using just one word? What about \u201cBelting\u201d? It has a long history of use as a label for the old traditional style of singing that was once well practiced\u00a0on the old unamplified Broadway stages. It would seem to be a scanty bikini bottom of a word. <\/strong><\/p>\n<p><strong>Question: What can you hide behind that little word? <\/strong><\/p>\n<p><strong>Answer: Ignorance.<\/strong><\/p>\n<p><strong>I grit my teeth when someone calls a\u201cSTYLE\u201d of singing a technique. I used to hear people talk about \u201cRossini Technique\u201d, \u201cVerdi Technique\u201d, \u201cMozart Technique\u201d while I was still performing. Some even dispensed with using a composer\u2019s style as a basis and used geographical terms\u00a0to create \u201cFrench Technique\u201d and \u201cGerman Technique\u201d etc. Some just claim that they have discovered things no one else bothered to document and come up with something like <a href=\"http:\/\/en.wikipedia.org\/wiki\/Vocal_extended_technique\" target=\"_blank\">\u201cExtended Vocal Technique\u201d<\/a>. This one was brought to my attention by a roving vocal pedagogue making a presentation at Plattsburgh State University. I was \u201clucky\u201d to be between contracts and in town for that lecture. Lately, it seems that an effort to define an \u201cAmerican Technique\u201d has begun. This kind of obfuscation has been a habit in the singing business since before I started gettin&#8217; busy singing. I can now propose another \u201cAnswer\u201d to the above \u201cWhat can you hide\u201d question and it is: Willful Ignorance.<\/strong><\/p>\n<p><strong>The <a href=\"https:\/\/rockwellblake.com\/blog\/2012\/11\/21\/chest-voice#chestvoicenotreal\" target=\"_blank\">snooty singing teacher<\/a> who really loves \u201c<a title=\"What\u2019s the Buzz?\" href=\"https:\/\/rockwellblake.com\/blog\/2012\/11\/02\/whats-the-buzz\/\" target=\"_blank\">The Buzz<\/a>\u201d and wants to disbelieve in <a title=\"Chest Voice\" href=\"https:\/\/rockwellblake.com\/blog\/2012\/11\/21\/chest-voice\/\" target=\"_blank\">\u201cChest Voice\u201d<\/a> has a bunch of friends out there who want to make hay out of declaring \u201cBelting\u201d a dangerous technique that only the Hyper Educated can understand. <a href=\"http:\/\/en.wikipedia.org\/wiki\/Belting_(music)\" target=\"_blank\">Wikipedia<\/a> is a good place to get this condescending message explained in confusing detail.<\/strong><\/p>\n<p><strong>\u00a0Wikipedia is wrong. \u201cChest Voice\u201d is \u201cBelting\u201d and \u201cBelting\u201d is \u201cChest Voice\u201d. The \u201cperceived\u201d dangers of singing in \u201cChest Voice\u201d are bad enough to convince a large gaggle of pedants not to teach it at all, and for at least one individual to denounce it as myth. When you hear <a href=\"http:\/\/en.wikipedia.org\/wiki\/Fanny_Brice\" target=\"_blank\">Fanny Brice<\/a> or <a href=\"http:\/\/en.wikipedia.org\/wiki\/Ethel_Merman\" target=\"_blank\">Ethel Merman<\/a> \u201cBelting\u201d a song, you\u2019ve got to believe in the vocal product they produced. You can dislike it, and you would not be alone in your epicurean displeasure. The Wikipedia writer would seem to want everyone to be confused enough to allow him\/her to be the go to person for learning this \u201cNEW\u201d technique. Boy, would I love to know if that Wikipedia writer is a \u201cBuzz\u201d devotee. If so, the student would be sure to get stuck in that studio for as long as the student could afford to pay the price of lessons and never produce a Fanny or Ethel like noise, or even one tone in \u201cChest Voice\u201d. I think the <a href=\"https:\/\/rockwellblake.com\/blog\/2012\/11\/21\/chest-voice#chestvoicenotreal\" target=\"_blank\">\u201cChest Voice\u201d denier<\/a> must never have heard of Fanny or Ethel.<\/strong><\/p>\n<p><strong>\u201cBelting\u201d is all about keeping those vocal chords <a title=\"Complete Glottal Closure \u201cCGC\u201d\" href=\"https:\/\/rockwellblake.com\/blog\/what-is-it-about\/garcias-tool-box\/glottal-closure\/complete-glottal-closure-cgc\/\" target=\"_blank\">slapping together<\/a> so that they produce a brilliant sound. The video examples\u00a0I am including in this blog\u00a0are not exaggerations. They are examples of what everyone CAN do. Anyone wanting to learn to \u201cBelt\u201d has an easier journey than the student of Opera Singing. The \u201cBelter\u201d does have to learn about all the tools an Opera Singer uses, but is not asked to use them in as complex a manner as the Opera Singer. If you want me to be snooty about it, I would just say that Opera Singing is a lot more sophisticated.<\/strong><\/p>\n<p><strong>\u201cBelting\u201d is a wonderful, honest, practical and impressive style of singing. <\/strong><\/p>\n<h2><strong>Fanny Brice<\/strong><\/h2>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/132uriSBwfQ\" width=\"480\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h2><strong>and Ethel Merman<\/strong><\/h2>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/Z7VzlCk1NoE\" width=\"480\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<strong>\u00a0made good livings while \u201cBelting\u201d out songs on Broadway. They lived in transitional times, just like the times we are living in now. For them amplification was new, but no one needed that new technology to carry their singing to the ears of their audience. Fanny and Ethel didn\u2019t need an amp because the vocal abilities of these two singing actresses were prodigious, well organized, well documented and, thank God, even recorded. They lived among a lot of belters. If you watched to the end of the above clip of Fanny belting out \u201cWhen A Woman Loves A Man\u201d you heard how less talented singers can make a mess of \u201cBelting\u201d and then Fanny imitates the little chorus girl who thought she could. Less talented singers always make the more talented look good and the really talented can often be really cruel. Anyway, the good\u00a0singers would stand shoulder to shoulder with these great ladies and \u201cBelt\u201d out<\/strong><\/p>\n<h2><strong>duets<\/strong><\/h2>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/hbjvsFHwtzE\" width=\"480\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h2><strong>and trios<\/strong><\/h2>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/72CzJeBGT8g\" width=\"480\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<strong>in those temples of popular entertainment.\u00a0\u201cBelting\u201d used to be for anyone who could manage it. I\u2019m so happy to be able to look back at these wonderful examples of \u201cGreat Singing\u201d from that time through the wonders of the transitional technologies of our day.<\/strong><\/p>\n<p><strong>I&#8217;d bet that Fanny didn\u2019t care that <a href=\"http:\/\/en.wikipedia.org\/wiki\/Puccini\" target=\"_blank\">Puccini<\/a> had a different kind of singer in mind when he wrote his Operas. That great composer died before Ethel could even have been mentioned to him. It would seem that <a href=\"http:\/\/en.wikipedia.org\/wiki\/Irving_Berlin\" target=\"_blank\">Irving Berlin<\/a> had no <a href=\"http:\/\/en.wikipedia.org\/wiki\/Kirsten_Flagstad\" target=\"_blank\">Kirsten Flagstad<\/a><\/strong><br \/>\n<iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/tAo_fTiZ2hY\" width=\"480\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<strong> in mind for his melodies. That the Opera world and Broadway should be divided into pedagogical camps as well as stylistic antagonists is rather new, and only another crack in the ongoing shattering of what used to be pedagogical wisdom.<\/strong><\/p>\n<p><strong>\u00a0Ethel may have said something like: \u201cI don\u2019t know nothin\u2019 about Opera, and I don\u2019t want to know nothin\u2019 about it.\u201d, and Fanny seemed to give her opinion in a film:<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/ckP4OXzVevI\" width=\"480\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<strong>The Opera World seemed happy to keep its skirts out of the low brow gutter from which Ethel might have declared her disinterest. Opera aficionados would have been quick to retort: \u201cWho cares about Fanny and Ethel and there lowbrow singing anyway.\u201d The Opera World I worked in seemed to think of the performer bound for Broadway as a twinkle toed\u00a0non-singer. The Opera Maven might have conceded that the music written for Broadway was good enough to put a little rhythm in the orchestra while those off pitch shouting Broadway types stomped feet on Broadway boards. For the Maven, the Vocal Art was only audible at the Opera House. Opera Singers were and still are rare birds on Broadway.<\/strong><\/p>\n<p><strong>While I was trolling around the internet looking for supporting evidence to include in this blog, I ran across a modern rumination about Broadway Style. Please give <a href=\"http:\/\/www.washingtonpost.com\/anne-midgette\/2011\/02\/25\/ABvDSCJ_page.html\" target=\"_blank\">Ms. Anne Midgette<\/a> a moment of your time and read her articles:<\/strong><\/p>\n<p><strong><a href=\"http:\/\/www.washingtonpost.com\/lifestyle\/style\/zambello-brings-personal-touch-to-retooled-glimmerglass-festival\/2011\/08\/03\/gIQAPCbiwI_story.html\" target=\"_blank\">\u201cZambello brings personal touch to retooled Glimmerglass Festival\u201d<\/a><\/strong><\/p>\n<p><strong><a href=\"http:\/\/www.washingtonpost.com\/blogs\/classical-beat\/post\/the-opera-izing-of-the-american-musical\/2011\/08\/07\/gIQAnpMf2I_blog.html\" target=\"_blank\">\u201cThe opera-izing of the American musical\u201d<\/a><\/strong><\/p>\n<p><strong>My next blog on &#8220;Belting&#8221; will wade into the weeds of the field of dreams\u00a0you can read about in Ms. Midgette\u2019s offerings. I\u2019ll be back soon.<\/strong><\/p>\n<p><strong>By the way\u2026..<\/strong><\/p>\n<h1 style=\"text-align: center;\"><strong><span style=\"color: #ff0000;\">H<\/span><span style=\"color: #ffff00;\">A<\/span><span style=\"color: #0000ff;\">P<span style=\"color: #66ffcc;\">P<\/span><\/span><span style=\"color: #00ff00;\">Y<\/span> <span style=\"color: #660099;\">NEW<\/span> <span style=\"color: #cc0033;\">YEAR<\/span><\/strong><\/h1>\n<h1 style=\"text-align: center;\"><span style=\"color: #cc0000;\">2<\/span><span style=\"color: #0000ff;\">0<\/span><span style=\"color: #00ff00;\">1<\/span><span style=\"color: #ffff00;\">3<\/span><\/h1>\n","protected":false},"excerpt":{"rendered":"<p>When I mentioned \u201cBelting\u201d in my blog, \u201cWhat\u2019s the Buzz?\u201d, I left the reference hanging there without explanation. With the hope that somebody might want to know what I think that word means, I began putting this blog together. The scientific article that Garcia wrote and Debbie, my wife, found just keeps on making me [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2411,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3,4,51,50],"tags":[99,80,97,98,106,101,103,100,309,79,105,104,109,107,108,102,56],"class_list":["post-2356","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-featured","category-singing","category-teaching","tag-anne-midgette","tag-be-a-singer","tag-belt","tag-belting","tag-broadway-musical","tag-broadway-style","tag-ethel-merman","tag-fanny-brice","tag-garcia","tag-glottal-closure","tag-irving-berlin","tag-kirsten-flagstad","tag-mack-sawyer","tag-opera-house","tag-opera-maven","tag-opera-world","tag-singing-song-voice"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/rockwellblake.com\/blog\/wp-content\/uploads\/2012\/12\/Mack-belting.jpg?fit=1200%2C800&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/s2kj1l-belting","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/rockwellblake.com\/blog\/wp-json\/wp\/v2\/posts\/2356","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rockwellblake.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rockwellblake.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rockwellblake.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/rockwellblake.com\/blog\/wp-json\/wp\/v2\/comments?post=2356"}],"version-history":[{"count":49,"href":"https:\/\/rockwellblake.com\/blog\/wp-json\/wp\/v2\/posts\/2356\/revisions"}],"predecessor-version":[{"id":3569,"href":"https:\/\/rockwellblake.com\/blog\/wp-json\/wp\/v2\/posts\/2356\/revisions\/3569"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rockwellblake.com\/blog\/wp-json\/wp\/v2\/media\/2411"}],"wp:attachment":[{"href":"https:\/\/rockwellblake.com\/blog\/wp-json\/wp\/v2\/media?parent=2356"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rockwellblake.com\/blog\/wp-json\/wp\/v2\/categories?post=2356"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rockwellblake.com\/blog\/wp-json\/wp\/v2\/tags?post=2356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}